Yatra - Blood Of The Night Band Edition (LP) (BLUE/WHITE SPLATTER)

  • $19.99
  • Save $9


Origin: USA
Released: 2020
Catalog number: STB33

A release in winter suits Maryland trio Yatra, for whom images of red splatter on snow, grey skies, dark nights and raging winds seem only too appropriate. Plus, perhaps, the occasional battle axe. Only a year after crashing the gate and plundering the greater consciousness of the sludge underground — such as it is — with their Grimoire Records debut album, Death Ritual, and several US tours and an initial incursion to European shores later, the marauding three-piece return. Now signed to STB Records, they issue Blood of the Night in a host of limited vinyl editions in keeping with the label’s tradition, and thereby hone the bleak, violent, extreme metal-derived intensity of their sound to a new, even sharper focus. Blood of the Night runs for eight tracks and shows no interest in hiding its malevolent purpose, as Yatra careen and lumber between a post-High on Fire medieval deathbringing and neo-primitive riffs that tap into root, essential-in-the-sense-of-essence nod, stripped of unnecessary frills and brought to bear with the harsh-throated screams of guitarist Dana Helmuth.

Their plodding and slog comes through regardless of actual tempo, with bassist Maria Geisbert and drummer Sean Lafferty complementing Helmuth‘s riffs and searing incantations as well as establishing their own presence in the low end and the significant roll each song seems to elicit from the beginning of opener “Sorcerer” onward. Cuts like “The Howling” and “Blood Will Flow” aren’t nearly as slow-paced as some of their counterparts — looking at you, “After the Ravens” — and in some of that speedier material especially, Yatra reveal influences beyond doom and into other forms of perhaps more aggressive metals. I’ve said before that I can’t help but hear mid-’90s Carcass in their sound, and I stand by that. Yatra seem to have found the balance of heft and bite which so many complained Swansong lacked after 1993’s brilliant Heartwork, and as far as I’m concerned, if you’re putting out records that hold up to that standard, as Blood of the Night does, you’re doing something very, very right. - The Obelisk